During a recent martial arts class, Rob asked his students whether they saw the world as a dangerous place with moments of wonder, or a wondrous place with moments of danger.
Definitely a wondrous place, I thought. Then I considered my writing and realized that to move the action forward in my novel, I need more moments of danger. Nobody wants to read a book about a happy well-adjusted young woman in a great relationship who loves her dogs. That’s why I didn’t have a memoir until Isis died. Pain equals conflict equals drama.
A few days later, I made one of my fictional doggie characters viciously bite someone.
I didn’t stay in the dangerous world long. Last weekend, I participated in Stephanie Renee Dos Santos’ Saraswati writing and yoga workshop.
Saraswati is the Hindu goddess of knowledge, music, arts and science… depicted as a beautiful woman to embody the concept of knowledge as supremely alluring… Saraswati is the goddess of learning, and not a god; the feminine aspect signifies creativity. … Saraswati is known as a guardian deity in Buddhism who upholds the teachings of Gautama Buddha by offering protection and assistance to practitioners
I’ve dabbled in yoga for many years, but never connected it to my writing practice before. We met on the labyrinth at Fairhaven Park, a perfect setting for outdoor yoga. After an hour of poses targeting our hips, back, neck and shoulders, opening ourselves to creativity and culminating in Tibetan meditation, we sat down to write.
Stephanie guided us through writing prompts focusing our attention on the natural world. The yoga gave my writing an awareness of my physical surroundings that I sometimes neglect. We returned to our mats for a few more vinyasas before a final writing exercise to bring it all together. I was quite surprised to find that the stream-of-consciousness observations from the earlier prompts fit perfectly into my novel, and I wrote a short scene that I didn’t even know my story needed.
After that infusion of wonder and beauty, I went to a dark place. Literally. I pulled Gillian Flynn’s Dark Places off my shelf. I tried to start it a few months ago, but wasn’t in mood for dark that day. I read the first line (I have a meanness inside me, real as an organ), and thought “Not today.” Can’t remember what I read instead, but since then I’ve read some Chuck Palahniuk, One Flew Over the Cuckoo’s Nest, and I Am Forbidden, the latter being this month’s book club selection.
Without any sense that this book could help me with my novel, Dark Places looked good to me on Monday. I don’t write violent psychological thrillers, but I sure do enjoy reading them. Once again, my inner reader knew what I needed even when my conscious mind didn’t. The main character in Dark Places is a damaged young woman with a violent past. She is angry and stunted, rather like my main character in Fight Like a Lady.
You find inspiration where you least expect it.
Kari Neumeyer 